Geographical Association

Charles Rawding (Edge Hill College of Higher Education) describes how trainees might incorporate music and film into their geography teaching

Introduction
Activities for a PGCE session
Using music
Using film
Conclusion
Bibliography and weblinks
Journal abstracts

Geography along with other social sciences in higher education in recent years has taken a well-documented cultural turn. Trainee teachers will almost certainly have experienced a human geography curriculum with a very different focus from much of the 11-18 curriculum. Recent developments at both key stage 3 (see QCA scheme of work and Innovating with Geography) and within the OCR Pilot GCSE have attempted to adapt aspects of cultural geography for the school curriculum.

One of the strengths of modern cultural geography from the point of view of the classroom practitioner is its willingness to incorporate a range of source materials in an attempt to produce deeper, more nuanced and multiple geographies. This offers opportunities to introduce content that, in the past, might not have been considered ‘geographical’.

Calls for the inclusion of such resources are not new (see e.g. Rawling, 1991) but the embedding of them in higher education suggests that trainee teachers may be both receptive to, and informed about, their role in aiding geographical interpretation and understanding. Therefore, this Think Piece describes how to encourage trainees to develop greater awareness of the possibilities of using music and film in everyday teaching.

<<< back to top

First, provide an example of a song that develops a clear sense of place, or focuses on a specific geographical issue. A good example of this is ‘Country Life’ by Show of Hands which looks in detail at current rural issues. Download the lyrics and a video of the group singing the song below. Please note: these must only be used in the classroom.

Following a discussion of potential uses of the song ask trainee teachers to choose one from their own music collection (see examples in Figure 1) and describe briefly where they might use it in geography. This is the context for ‘Using music’ below.

Next, focus on the use of film (see ‘Using film’ below). You could show the introductory section of The Full Monty which uses original promotional newsreel of Sheffield, City of Steel from the 1960s, before cutting with real comic effect to industrial dereliction and a former steelworks. See Morgan (2003) for a fuller discussion of using The Full Monty.

Trainees can be asked to identify an extract from a film (see e.g. Figure 2). The ensuing discussion about the importance of place in film will be wide-ranging and fruitful.

Music’s relevance and topicality for people of all ages makes it an ideal vehicle for capturing pupil interest (see Lambert and Morgan, 2005). From the point of view of delivering effective geography, there are perhaps three principal means of relating music to geographical themes and places:

1. in instances where performers are strongly linked with specific places,
2. where lyrics explicitly discuss geographical themes, and
3. where music conjures images of place through frequent or well-known association.

Considering the first, there are a number of high profile performers who have become closely identified with place: in the UK the Beatles with Liverpool or Oasis with Manchester for instance. Examples from overseas include the Beach Boys and the Eagles with California, and Edith Piaf with Paris. Clearly these examples reflect the knowledge of the author. Discussions with trainees produced different responses, for instance The Jam with London from a 30-something male.

Additional geographical themes can be identified with the most popular performers. The Beatles have been responsible for a significant growth in tourism-related activity in Liverpool. The Beatles Story, the Cavern and Matthew Street along with the role of the National Trust in opening the former homes of Paul McCartney and John Lennon are all elements in the reconfiguration of Liverpool as a post-modern city.

The second, more productive area relates to song lyrics. Lyrics from songs often provide identifiably geographical themes and the potential for choosing appropriate songs is huge. As a newly qualified teacher delivering a chapter on sheep farming in Australia (Farleigh Rice, 1975) I was able to use the Australian folk song ‘All among the wool boys, all among the wool’ (by Martin Wyndham Read)! After one session on using music a trainee teacher posted the list shown in Figure 3 on the college’s website.

Whilst on the net I found a forum where they had been discussing songs to be used in class. Some I think we might have in our list but some of them are ones that you will look at and think ‘oh yeah, never thought of that!’. Also found a brilliant website called Mapville which has massive song lists for use in class rooms. Better still they are divided into sections, e.g. Countries and continents or natural features, islands and points of interest. Happy Listening!

1. River Deep Mountain High - Tina Turner
2. Aint No Mountain High Enough - Diana Ross
3. Penny Lane - Beatles
4. Back in the USSR - Beatles
5. From Russia With Love - Bond Theme
6. In The City - The Jam
7. Rock The Kasbah - The Clash
8. We Are The World - USA For Africa
9. Feed The World - Band Aid
10. Fog on the Tyne - Lindisfarne
11. Baker Street - Gerry Rafferty
12. Scarborough Fair - Simon and Garfunkel
13. Running up that Hill - Kate Bush
14. Salisbury Plain - Peter Gabriel
15. Life On Mars - David Bowie
16. Inner City Blues - Marvin Gaye
17. Y Viva Espana - Sylvia Vrethammar
18. I Like To Be In America - from West Side Story
19. Australia - Manic Street Preachers
20. Rotterdam - Beautiful South (?)
21. Should I stay or should I go? - The Clash (for push and pull factors)

Examples of the third type, i.e. links between music and place, might include the association of Italy with opera, Paris (or more specifically the Moulin Rouge) with the Can Can, the bagpipes with Scotland or the pan pipes with Andean South America.

These three approaches all offer the opportunity to develop an enhanced awareness of place in geographical themes.

Point out that because many school pupils listen extensively to music, it is possible to get them thinking about any geographies in their own collections. Thus enhancing the notion of how relevant and topical geography is to their lives.

<<< back to top

While geography teachers make extensive use of video and documentary sources, much less use is made of contemporary film, even though many films provide a strongly developed ‘sense of place’.

Considering geographical themes can include de-industrialisation - as illustrated by films such as The Full Monty and Brassed Off - and the impact of film and television on place, whether in terms of tourism marketing of places where television programmes and films are shot (e.g. Lord of the Rings and New Zealand for instance) or the effects of such (cultural industry activities) on the local community.

For instance, I was resident in a village (Binbrook, Lincolnshire) where much of Memphis Belle (Michael Caton Jones, 1990) was filmed. I observed at first hand the financial impact (entirely beneficial) of the film crew on the prosperity of the village public house and other services. While this impact was relatively short-lived (months rather than years), the impact on locations such as Holmfirth (where the series Last of the Summer Wine is filmed) and Goathland (where Heatbeat is recorded) can have greater long-term significance.

<<< back to top

This illustrates how two topical and relevant elements of modern society - music and film - can be used to enrich the geography curriculum and enhance pupil engagement with the subject.

Cresswell, T. (2004) Place: A short introduction. Oxford: Blackwell. (Provides an interesting introduction to newer approaches written largely for undergraduates.)
Farleigh Rice, W (1975) Patterns in Geography Two. London: Longman.
Morgan, J. (2003) ‘Cultural studies goes to school’, Geography, 88, 3, pp. 217-24. (Argues persuasively for newer approaches to cultural geography being incorporated into the school curriculum, and uses The Full Monty to demonstrate a practical application of the theoretical ideas.)
Lambert, D. and Morgan, J. (2005) Teaching School Subjects: Geography. London: Routledge Falmer
Rawling, E. (1991) ‘Places I’ll remember’, Geography, 76, 4, pp. 289-91.
Taylor, L. (2004) Representing Geography. Cambridge: Chris Kington Publishing. (For potential uses in the classroom, offers a range of stimulating options, particular the section ‘Whose view ?’ on the ideas of Doreen Massey (p. 40) and the photography of Ingrid Pollard (p. 44).)

Weblinks

QCA Schemes of Work

Innovating with Geography

Internet Movie Database

Cavern Club

National Trust

Mapville

Moulin Rouge

New Zealand Tourism

Holmfirth Community Website

Goathland

Esk Valley - Goathland


<<< back to top

Morgan, J. (2001) 'Popular culture and geography education', IRGEE, 10, 3, 284-297. Abstract

Morgan, J. (2002) 'Teaching geography for a better world? The postmodern challenge and geography education', IRGEE, 11, 1, 15-29. Abstract

<<< Back to top


(Updated 13.08.09)